Practical standards for packing and shipping original artwork safely to Gamvt collectors. Always prioritize safe delivery over minimizing packaging cost. If you aren’t confident you can pack a work safely, use a professional packer or fine-art shipping partner.
| Artwork / risk | Recommended route | Gamvt guidance |
|---|---|---|
| Small, stable, unframed 2D | Self-pack + parcel carrier | Fine when you can confidently meet the packing standard below. |
| Mid-size 2D, or framed w/ acrylic | Self-pack if experienced; else professional | Double-box when a single box doesn’t give enough structural and impact protection. |
| Framed under glass | Professional pack strongly preferred | Escalate quickly to professional packing, a crate, or specialist transport as size/value/fragility rises. |
| Large flat artwork | Professional crate / fine-art handler | Plan on a wood crate or professional solution when any side reaches 48 in. |
| Sculpture / ceramic / glass | Professional unless small & robust | Fragile 3D: default to crate/professional review at 12 in+ or 5 lb+. |
| High-value / complex / $5,000+ | Gamvt pre-shipment review | Insurance, packaging, carrier, delivery, and signature plan reviewed before shipment. |
Don’t discover after a sale that safe packaging wipes out your margin. Estimate packaging, insurance, and any professional handling before listing, and fold those costs into your price and shipping charge. Keep common materials on hand if you ship regularly, and get at least one packing/crating quote before listing anything large or unusual. Never choose inadequate packaging just to protect margin after the sale.
Photograph the artwork (front, back, corners, edges, frame/glazing, any existing condition issue), then each stage of packing (first protective layer, corner/edge protection, rigid boards or inner box, cushioning and void fill, the piece secured inside the final box/crate, the sealed package, and the shipping label). Photographing the final package dimensions with a tape measure also helps resolve carrier dimensional-weight or oversize disputes. Retain all of it with your shipment records.
Materials: glassine or acid-free tissue (where surface-compatible), poly wrap/heavy plastic for moisture, bubble wrap, ½-in foam board or strong two-ply cardboard, cardboard corner protectors, a strong shipping box, packing tape.
Gamvt’s standard is a wood crate or professional fine-art solution rather than an ordinary parcel box, unless Gamvt approves another method first.
Frames add vulnerable corners; glass adds a second failure mode, since broken glazing can damage the artwork itself.
Framed without glass: rigid corner guards; a smooth barrier so wrap doesn’t abrade the finish; rigid front/back panels; a sturdy box with cushioning on all sides; double-box when the frame is substantial, valuable, or ornate.
Framed with acrylic / Plexiglas: a clean non-abrasive layer against the acrylic; rigid front protection so pressure can’t flex the glazing into the artwork; strong corner protection and substantial cushioning; double-box mid-size/high-value parcels.
Higher-value originals — ship flat (Gamvt’s default unless the work safely tolerates rolling): enclose in acid-free tissue; restrain with corner protectors, never tape the artwork; secure between rigid supports with firm boards both sides; add a thick cushioning layer; add an outer corrugated cover or shallow rigid box; seal every outer edge so it can’t open, bend, or expose the work.
Rolled prints / flexible works (only if the work tolerates rolling): use a sturdy tube with ≥2 mm wall, longer than the artwork and wide enough not to roll tightly; interleave with a soft protective sheet; prevent lengthwise movement; secure both end caps with strong tape; for valuable work, place the tube inside an outer box against crushing and conveyor risk.
Small, robust 3D below that threshold: cushion all surfaces, paying special attention to projections and weak points; add extra cushioning beneath the object (bottom layers compress under weight); leave ~2–3 in of protective space; fill voids so it can’t move; double-box ceramics, glass, and other highly breakable works; mark orientation where it matters, but don’t rely on labels instead of packing that tolerates normal handling.
Use a crate for large flat works, paintings at/above the 48-in threshold, larger sculpture, highly fragile work, and anything a carrier/insurer/handler says shouldn’t travel in cardboard.
| Category | Small / lower risk | Mid-size | Large / high-risk |
|---|---|---|---|
| Unframed painting / mixed media | Foam-lined rigid box | Double box | Wood/parcel crate; professional help |
| Framed with acrylic | Foam-lined rigid box | Double box | Crate; professional help |
| Framed with glass | Double box | Parcel crate / professional pack | No ordinary parcel — specialist solution |
| Works on paper | Rigid flat package or suitable tube | Rigid flat or tube by medium | Professional flat/rolled transport |
| Sculpture / ceramic / glass | Double box if truly small/robust | Professional pack / alternate service | Crate + specialist handler |
Some artworks shouldn’t move through an ordinary parcel workflow. Gamvt treats professional packing, crating, fine-art transport, and white-glove delivery as normal fulfillment options when the risk warrants — not a last resort. Use them when you don’t feel confident, or for glass-framed, oversized, heavy, highly fragile, high-value, or difficult-to-insure work. Ask whether a provider offers studio pickup, packing/crating, art shuttle, climate-controlled transport, appointment delivery, unpacking, debris removal, and condition documentation. For $5,000+ sales, complete the required pre-shipment review before booking.
Starting points, not endorsements — you may use any qualified provider. Always request a quote for the actual artwork and verify liability/insurance terms.
To get a quote, send: pickup/delivery ZIPs; medium; exact unboxed dimensions and approximate weight; framed/unframed and glazing type; final sale value; clear photos; any delicate projections or condition concerns; which services you need (packing, crating, pickup, transport, delivery, unpacking, installation); desired timing; and required insurance or signature conditions.
Address changes after purchase aren’t guaranteed and must go through Gamvt — once packing, labeling, or carrier handoff has begun, a change may be unsafe, impossible, or inconsistent with insurance coverage. Don’t accept an off-platform address-change request from a buyer; contact Gamvt immediately, and don’t reroute a high-value or insured package without confirming the change won’t void coverage.
Evidence preservation is part of Gamvt’s damage-claim process. The buyer may be asked to keep and photograph the outer box/crate, shipping label, visible package damage, all interior packaging, the full artwork, and close-ups of the damage. You should provide your pre-shipment condition photos, packing-process photos, final package photos, carrier/handler receipt and tracking, and insurance documentation.
Approved returns are coordinated through Gamvt. Reuse the original packaging when it’s still safe and suitable; otherwise Gamvt may require equivalent or professional repacking. Buyers should never return artwork without Gamvt approval, and $1,000+ return shipments follow the Insurance Guide’s return-insurance requirements — so keep packaging capable of surviving an approved return.
When an artwork falls outside these standards or presents unusual risk, email admin@gamvt.com before shipment. Carrier, insurer, and handler requirements can change — the stricter applicable requirement controls.
See also the Insurance Guide, Shipping & Delivery Policy, and the Artist FAQ.